James Ward has an unusual attachment to paper clips. And when he sees one, he sees "a piece of art, but it's also a piece of useful art." And like any serious art appreciator, he is also a collector.
The paper clip is something of a fetish object in design circles. Its spare, machined aesthetic and its inexpensive ubiquity landed it a spot in MoMA’s 2004 show Humble Masterpieces. This was a ...
The percussive snap of a stapler. The crisp peeling of a Post-it note. The ruffling flip of an old Rolodex chock-full of cards. James Ward loves office supplies beyond reason — and he's written about ...
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